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IMPRESSIONS OF Jason Akira Somma's "Phosphene Variations"

IMPRESSIONS OF Jason Akira Somma's "Phosphene Variations"
Deirdre Towers/Follow @spiffmoves on Twitter

By Deirdre Towers/Follow @spiffmoves on Twitter
View Profile | More From This Author

Published on September 19, 2012

Exploring The Edge of Visual and Performance Art

Impressions Of: Phosphene Variations

September 20th, 2012


Deirdre Towers*
Guest Contributor to The Dance Enthusiast


What does Jason Akira Somma’s installation Phosphene Variations now on exhibit at Soho’s Location One have in common with Snoop Dogg’s performance with Tupac this last April in Coachella? Both are take-offs of Pepper’s Ghost, a centuries old illusion popularized by John Henry Pepper in 1862 in which an image is bounced off the floor onto an invisible screen.

Beyond that, the similarity ends. The music producer Dr. Dre sprinkled his gold dust on the California digital effects company Digital Domain to make possible Snoop Dogg’s appearance with the prolific rapper who was killed in 1995. The acclaimed event added little to an old trick other than context, where as Jason Akira Somma created a new chapter for dance presentation and preservation. Supported in part by the Rolex Mentor and Protégé Arts Initiative, the liquid wall, a horizontal flow of mist in which images can dance, is, as Le Figaro wrote, “a true revolution…stupefying poetry, humanity and invention.”

Carmen DeLavallade in Phosphene Variations
 
When he was ten, Somma saw a floating head, engineered with the method behind Pepper’s Ghost, in a “haunted house.” Little did he know that encounter would determine the direction of his artistic life. He re-created the effect while a dance student at Virginia Commonwealth University, which has a fertile dance film program led by Martha Curtis. After much back and forthing between dance and visual arts, Somma realized dance is a visual art. His approach gelled; his career zoomed, winning him accolades in both the US and Europe and the coveted Rolex Mentorship with Dutch choreographer Jiri Kylian.

Bill Shannon in Phosphene Variations


Somma has the instincts of a magician inclined to play with dual realities as well as those of an engineer who solves problems. He used 5 infra-red cameras for his multi-media show commissioned by Lyon Opera Ballet. Dance legends Mikhail Baryshnikov, Carmen DeLavallade, Robert Wilson, Bill Shannon, and Jiri Kylian, among others, appear in the liquid walls, moving in a space no wider than the wing span of your arms.

Imagine the chance to prepare your own ghost. Who can resist that? Sporting a waxed moustache, Somma set up with “Phosphene Variations,” a vertical playground in which the viewer can reach out to touch the ghost, who vanishes, only to be immediately replaced by another.

Jason Akira Somma, the artist in action.


Location One at  26 Green Street, NYC  presents Phosphene Variations 
September 12-November 17, Tuesday – Saturday 12-6pm
with performances on Wednesdays until October 24th and Thursdays, November 8th and 15th.

Check out the Great Schedule of Artists in the ...Phosophene lineup

*Deirdre Towers, editor/writer for Dance on Camera Journal from 1983-2010 and producer of Dance on Camera Festival 1994-2012,
is working on two dance films and one short documentary relating to mid-century modern architecture.


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