Save the Date: DANCE! FASHION! FOOD! DRINK!   NOVEMBER 12TH!

Announcing the first of our special, stylish guests: The Martha Graham Dance Company!
 

click here and #getenthused NEW ENTHUSIASTIC EVENT SERIES

at The new Gibney Dance Center 280 Broadway

The New Enthusiastic Event Series is sponsored by The Mertz Gilmore Foundation


 


 
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The Dance Enthusiast Takes Class (...and Writes About It.)

The Dance Enthusiast Takes Class (...and Writes About It.)

Published on January 4, 2012

Tara Sheena Takes Class with Raja Feather Kelly

The Dance Enthusiast Takes Class and Writes About It

Dancing, class-taking writer ,Tara Sheena for The Dance Enthusiast


 

The Class: Raja Feather Kelly’s Modern Class

Location: Dance New Amsterdam

280 Broadway, 2nd Floor (entrance on Chambers St.)

www.dnadance.org

212.625.8369

 


The Days and Times
: Varied

The Cost: 6.50/class (5.50 for DNA members)

 

What You Should Bring: Your biceps, quick thinking, and willingness to use your mind as much as your body

 


Why Tara Attended
:

Raja Feather Kelly, a fellow contributor to The Dance Enthusiast, keeps busy as a bi-coastal boy. As a member of Seattle-based zoe I juniper and New York-based David Dorfman Dance, he is constantly on the move and juggling the companies’ respective styles and demands (see, “My Own Private Black Swan” http://www.dance-enthusiast.com/features/view/224). Naturally, I was interested to see how Raja would synthesize all his current work into one cohesive class.




 

 

Raja In Action

 

The quickest two hours of my life!
 
Upon entering the studio at Dance New Amsterdam, I couldn’t help but notice Kelly’s frame. He is strikingly lean. Imposing. Instantly, I was anxious. What havoc can this stretched-out-skeleton of a dancer wreak on my 5 foot 2 inch frame? I didn't have to wait long for my fears to be put to rest.
 
Kelly seamlessly eases the class into work by guiding us with images of sensation and direction. He constantly encourages, “remember how this feels” and urges us to find our own way of doing. This individualistic mindset feeds into the extended final combination. Kelly dances--sometimes improvised, sometimes not—and we collect whatever information we choose from his phrases. No surprise that his movement encourages sweeping passes, large extensions, and larger-than-life lunges: he uses those long-limbs to their fullest extent (and then some.)
 

By the end, I had created about four or five different versions of the final combination. The goals were my own. I never felt like there was anything I couldn’t
accomplish. Kelly says it best,“ You know what to fill in, be confident in that.”

And, I was. I left the class feeling empowered, refreshed, oh, and just a tad exhausted.
 
 

 
 
 

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