The Dance Enthusiast Asks: How Does Your Garden Grow?Return To Features
Going Green with the Green Space Blooms Festival in Queens.
The Dance Enthusiast Asks : HOW DOES YOUR GARDEN GROW?
at the 2012 Green Space Blooms Festival - April 20-22nd, 2012
Long Island City, Queens
Trina Mannino reporting for The Dance Enthusiast
While performing in the first installment of the 2012 Green Space Blooms Festival at Green Space last weekend , I couldn’t help but notice how tight knit the Green community is and how welcoming the space is to newcomers. I spoke with Valerie Green, the artistic director of Green Space and Dance Entropy, as well as to a few of my fellow festival choreographers to learn how their work has bloomed within this exciting Queen's festival.
Trina Mannino for TDE: When did the Green Space Blooms Festival Begin?
|Image Courtesy of Green Space
|Photo Courtesy of Choreographer Emily Berry|
I presented a solo called "After" which begins with me completely broken down. I make a decision to pick myself up and move on. It is about overcoming. I have shown work at Green Space Blooms in 2009 and in the Take Root Series in June of 2010.
No One Gets Out of Here Alive is a comedic dance-theater piece about awkward junior-high and regressions of adulthood. We explore differences between mature and immature behavior via adult commentary - with a Brechtian slant.
The clothes thing, the boob thing, the boyfriend thing, nasty, gossipy, destructive behavior, and more. All this is illuminated through exciting, quirky deconstructed dance including a hormonal dance vocabulary. There are quick mood shifts, provocative tableaux, slow motion fight scenes, lip syncing, athletic partnering, exaggerated facial expressions, situational comedy, dream sequences, and “inventive” committed social dancing.
... Alive is loosely based on my astute observations as a nerdy, shy “outsider” in 6th grade. With my boy-short hair (when it wasn’t fashionable), coke-bottle glasses, argyle sweater vests, and 104 point GPA, I saw that cliques and power dynamics were unhealthy—and hilarious.
Teresa Fellion Photo Courtesy of Choreographer
Shadowlands was inspired by a visit to the Holocaust Museum in Berlin. It explores different layers of fear. There are simple fears -almost just worries- and fears that are deeply rooted - primal fears. I found myself in a pitch black space, where I couldn't see anything; no people around, no walls, no exit. Fear builds. Why?
You know, you are perfectly safe. You know, where the exit is, you just can`t see it. What is fear? What are we afraid of? Why?
Not My Problem is about attitude and gesture. I researched the specific energies that power any gesture. It begins with disregard and regard, callousness and mindfulness, leading to a conversation about whether a street, or sidewalk or subway platform, is less sacred than any other place. And suggests that our home – the planet – is either all sacred or not at all.
|Hiram Pines, Photo Courtesy of the Choreographer|
|Daniela Hoff, Photo Courtesy of the Choreographer|
I think venues like Green Space are unique, because they offer so much to the artists and also to the public. Green Space is one of those venues that runs on a very small budget, but does everything they can to support the arts, offering many opportunities and programs for artists.
As a choreographer, it is great to have the opportunity to present a full or half - evening of work in a supported environment. I also find it very helpful to explore new choreography in performance and receive feedback from the audience. The audience can get close to the artists, they get to see work from new, as well as more established choreographers- raw, work- in progress, as well as fully finished choreography.
Green Space is a unique venue to perform in because of its' beautiful view of Manhattan and its' intimate environment. Valerie Green curates work of high quality that ranges widely in approach and style. We were excited to perform in Green Space Blooms: to see the work of the other artists, and to enjoy the live music and reception afterwards.
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