IMMANENT FIELD by Lance Gries
This week at New York Live Arts
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Studio Series |
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Lance Gries’ Immanent Field, a collaborative work with Juliette Mapp and Diane Madden, is a trio that begins with the belief that there exists a primary field of conscious energy that pervades and connects everything. How do dancers, as masters of moving consciousness into action and form, access and create from this potentiality? How do time, space and content become differentiated through this active exchange? In Immanent Field, Gries in interested in creating a dynamic realization between what the performers and public sense as immaterial and witness as its material manifestation in dance as an art form. Using these explorations as a jumping off point, Gries views these seemingly intangible elements as essential formal ones, organizing them into a dance so they become the vital gestures of a choreography of experience. |
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Lobby TALKS |
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Outside of a review-based qualifying system, where do forms of feedback exist for choreographers today? How do we talk about work? What are the values that shape our perceptions and language, and what are the risks and learning potential of critique? Lobby TALKS are organized and moderated by Marissa Perel. Panelists for this week's Lobby TALK are Megan Byrne, Nicole Daunic, Andy Horwitz and Dean Moss |
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| Trisha Brown Dance Company in Opal Loop / Cloud Installation #72503; Photo by Lee Tainer | |||||
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Introducing our 2013-14 Season! |
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Our third season kicks off on September 23, 2013 and includes more than 100 performances by nearly 40 featured artists. Season highlights include ten world premieres, such as new works by Molissa Fenley, Beth Gill, John Jasperse, Donna Uchizono and others; eight international productions, including the U.S. premiere of Jérôme Bel and Theater Hora's Disabled Theater, and a residency by the Trisha Brown Dance Company as part of our beloved Replay Series. Reserve a season pass today to secure your seat at these sure-to-sell-out shows and save nearly 60% on single ticket prices. |
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