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Saturday, August 18, 2012 - 12:00pm

World Premiere of Able to Leap Tall Buildings, New York Premiere of Carrugi, Revivals of Boats Leaving, Ballet MAcanique, Rise and Aperture


World Premiere of Able to Leap Tall Buildings, New York Premiere of Carrugi,
Revivals of Boats Leaving, Ballet Mécanique, Rise and Aperture

New York, NY, (August 16, 2012) -- Doug Varone and Dancers celebrates its 25th anniversary with new choreography and a year packed with exciting performances and activities. Whether creating whirlwinds of highly kinetic, fluid movements or mining the complexity of relationships and community, Varone places indelible humanity at the core of his work. The Company will kick off this landmark year at The Joyce Theater, October 9-14, with two distinct programs conveying the vibrant physicality, breadth of vision and slight wit that distinguish its repertoire. Highlights include the world premiere of Able to Leap Tall Buildings, set to music by Julia Wolfe, and the New York premiere of Carrugi choreographed to Mozart’s mythic oratorio, La Betulia liberata. The program will also feature revivals of some of the Company’s signature works especially reconstructed for this occasion and including the Bessie award-winning Boats Leaving; Ballet Mécanique, propelled by the driving rhythms of George Antheil’s iconoclastic score from 1925; Rise, set to music by John Adams; and Aperture, set to music by Franz Shubert.

Program A:

The N.Y premiere of Carrugi

Set to selections from Mozart’s oratorio La Betulia liberata, Carrugi delves into the libretto’s themes of duplicity, heroism and mythmaking. The choreography loosely borrows imagery from the oratorio’s libretto and uses it as a springboard to explore the universal themes of humanity that are laced within the score’s action. Carrugi’s title is taken from the Italian word for the narrow and often steep lanes that penetrate the heart of Italy’s Liguria region. Inspired by the patterns and energy of these labyrinths, the dance will visually and architecturally rise and fall against Mozart’s musical lines.

Ballet Mécanique (2001)

Critically acclaimed as one of the Company’s groundbreaking works, Ballet Mécanique is a dramatic investigation of the intersection between dance and technology. George Antheil’s iconoclastic score from 1925 sets the piece in motion – loud, percussive and unsentimental rhythms that ultimately explode into a thrilling cacophony. The choreography builds on the intensity, with angular, “machine-like” gestures and giant steps. Large-scale, stark and pulsing images of natural and abstract energy created by award-winning designer Wendall Harrington are projected upon scrims and eventually the performers, mapping a continuously changing stage space that enhanced the visceral effect of Varone’s choreography.

Aperture (1994)

In the trio Aperture, set to Franz Shubert’s Moments Musicaux, No. 2, a series of seemingly random gestures gently accumulate into a private conversation. As if seen through the confines of a photographer's lens, the dancers shift in and out of a focal light, constantly rearranging the emotional balance of this small intimate work.

Program B:

The world premiere of Able to Leap Tall Buildings

Able to Leap Tall Buildings is a new duet set to music by Julia Wolfe’s haunting score Cruel Sister. Varone used super hero action figure dolls in stop motion poses to create a unique push and pull vocabulary. The exploration has yielded a roller coaster of entangled images propelling this oddly tender duet forward in awkward jarring ways.

Boats Leaving (2006)

Honored with a Bessie Award in 2006 and considered by many as a masterpiece, Boats Leaving probes into the theme of departure on many levels. Varone compiled years of clippings from The New York Times, photographs from the news, business and sport sections, which, he felt, implied a story. He then de-contextualized and staged more than 60 of these images. “All is elegiac,” Claudia La Rocco from The New York Times extols. “from Arvo Pärt’s choral work “Te Deum” to Ms. Cox’s “last light of day” design. The eight dancers move far more slowly here, exploding into short, constricted bursts only to curl back into themselves and freeze, as if remembering some great hurt. Community and connection return, but staggered by isolation.”

Rise (1993)

Rise is set to John Adam’s minimalist, yet moving, Fearful Symmetries, and has been reconstructed as part of the Company’s mission to revive seminal works from its past 25 years. One of Varone’s first signature dances, the work “rises almost to the ecstatic,” the Minneapolis’ Star Tribune writes. “Dancers leap through the air and are snatched out of it by other dancers, keeping them, we suspect, from flying. The excitement keeps building until it’s almost too much, then dissolves into an ending so quiet that it virtually pulls you out of your seat.”

Schedule and Ticket information

Program A:
Carrugi (NY premiere) Ballet Mécanique, Aperture
Oct 9, 7:30pm, Oct 11, 8pm, Oct 13, 8pm & Oct 14, 2pm

Program B:
Able to Leap Tall Buildings (world premiere), Boats Leaving, Rise
Oct 10, 7:3pm, Oct 12, 8pm, Oct13, 2pm & Oct 14, 7:30pm

Tickets for the performances start at 0, and are available by calling JoyceCharge (212-242-0800); by visiting The Joyce Theater Box Office (Monday-Friday, 12:00-6:00pm); or by charging them online at joyce.org The Joyce Theater is located at 175 Eighth Avenue at West 19th Street.

Other 2012-2013 performances and activities

* In addition to an extensive touring schedule throughout the United States in 2012-2013, Doug Varone and Dancers has been invited to join in the DanceMotion USAsm, a program developed and funded by the US Department of State and produced by Brooklyn Academy of Music (BAM). The Company will tour Argentina, Paraguay and Peru. In addition to performances, the Company will engage in workshops, master classes, media interviews, and will be holding discussions about arts management and technical production with international artists at local venues and settings.

* In celebration of the Company’s 25th anniversary, Varone presents Uncovering the Archives, an online series of 25 short videos from his archives, each honoring a different dance www.dougvaronedancers.org. The series features clips of dances from 1986-2011 as well as interviews with Varone, original cast members and collaborators.

* The Metropolitan Opera will revive Berlioz’s Les Troyens with choreography by Varone on December 13, 17, 21, 26 and 29, and January 1 and 5. Varone has updated and made changes to the original production for this new presentation.

* Varone has choreographed a new work for the Martha Graham Dance Company to make its New York premiere in February 2013.

* Varone will curate the upcoming 92nd Street Y Harkness Dance Festival for the third consecutive year. The five-week event will kick off with a world premiere by Doug Varone and Dancers (February 22-24, 2013).

* Doug Varone and Dancers are one of eight companies selected to perform as part of Focus Dance, a week-long celebration of American dance at The Joyce Theater (January 8-13, 2013).

One of Today’s Busiest Choreographers

Doug Varone and Dancers, founded in 1986, has commanded attention for its expansive vision, versatility, and technical prowess. On the concert stage, in opera, theater, film, and fashion, Varone’s kinetically thrilling dances make essential connections and mine the complexity of the human spirit. At home in New York City, Doug Varone and Dancers is the resident company at the 92nd Street Y Harkness Dance Center. On tour, the company has performed across the US and internationally at venues including the Kennedy Center, Lincoln Center, Brooklyn Academy of Music (Dense Terrain, 2007 Spring Season), the Jacob’s Pillow and American Dance Festivals, London’s Queen Elizabeth Hall, Moscow’s Stanislavsky Theater, and the Venice Biennale, among others. Varone, his dancers, and designers have won 11 New York Dance and Performance Awards (Bessies). They are sought-after ambassadors and educators in the field, and conduct annual summer intensive workshops at leading universities as well as multi-discipline residency programs while on tour.

Doug Varone is an award-winning choreographer and director. He has choreographed four productions for the Metropolitan Opera (including Salome, An American Tragedy, and an acclaimed production of Les Troyens, scheduled for December, 2012) as well as for New York City Opera, Broadway, off-Broadway, and regional theaters. He has created works for the Limón Company, Hubbard Street Dance Chicago, and Batsheva Dance Company (Israel), among others. As a director, Varone has staged numerous operas for Minnesota Opera, Boston Lyric Opera, Opera Colorado, and Washington Opera. He has been honored with a Guggenheim Fellowship, an OBIE Award, two individual Bessie Awards, two American Dance Festival Doris Duke Awards for New Work, and four National Dance Project Awards. Visit www.dougvaronedancers.org

THE JOYCE THEATER FOUNDATION, INC., a non-profit organization, has proudly served the dance community and its audiences since 1982. The founders, Cora Cahan and Eliot Feld, acquired and renovated the Elgin Theater in Chelsea, which opened as The Joyce Theater in 1982. The Joyce is named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther’s clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to establish the theater. One of the only theaters built by dancers for dance, The Joyce Theater has provided an intimate and elegant New York home for more than 290 domestic and international companies. The Joyce has also commissioned more than 130 new dances since 1992. In 1996, The Joyce created Joyce SoHo, a dance center providing highly subsidized rehearsal and performance space to hundreds of dance artists. New York City public school students and teachers annually benefit from The Joyce’s Dance Education Program, and adult audiences get closer to dance through pre-engagement Dance Talks and post-performance Humanities discussions. The Joyce Theater now features an annual season of approximately 48 weeks with over 340 performances for audiences in excess of 135,000.


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