Gallery Dialogues: Refiguring Binaries
![Gallery Dialogues: Refiguring Binaries](/images/features_large/https---cdn.evbuc.com-images-56380798-278442793701-1-original.20190206-214335.jpeg)
Company:
Pioneer Works
Join Morehshin Allahyari and Faith Holland, two of the artists from Refiguring Binaries, for an intimate walk-through of the exhibition. Together, they will discuss identity, the body, and the politics of technology from the perspective of their work and creative process.
Morehshin Allahyari is an artist, activist, educator, and occasional curator. She is the recipient of the leading global thinkers of 2016 award by Foreign Policy magazine.
Morehshin was born and raised in Iran and moved to the United States in 2007. Her work deals with the political, social, and cultural contradictions we face every day. She thinks about technology as a philosophical toolset to reflect on objects and as a poetic means to document our personal and collective lives struggles in the 21st century. Morehshin is the co-author of The 3D Additivist Cookbook in collaboration with writer/artist Daniel Rourke. Her modeled, 3D-printed sculptural reconstructions of ancient artifacts destroyed by ISIS, titled Material Speculation: ISIS, have received widespread curatorial and press attention and have been exhibited worldwide.
Faith Holland is an artist, curator, and educator whose multimedia practice focuses on gender, intimacy, and technology. Her work has been exhibited nationally and internationally at venues such as The Whitney Museum of American Art (New York), NRW Forum (Düsseldorf), Fotografisk Center (Copenhagen), Boulder Museum of Contemporary Art (Boulder), Boston Cyberarts Gallery (Boston), the Philips Collection (Washington, D.C.), Human Resources (Los Angeles), DAM Gallery (Berlin), and File Festival (São Paulo). Her work has been written about in Artforum, The Sunday Times UK, Elephant, Hyperallergic, Broadly, and ArtSlant among others. She was a 2014 NYFA Fellowship Finalist in Digital/Electronic Art. In 2016, she was an artist-in-residence at Jamaica Center for Arts and Learning and Harvestworks and a finalist for Fotomuseum Winterthur’s Post-Photography Prototyping Prize. Her second solo exhibition, Speculative Fetish, with Transfer Gallery in Brooklyn was in 2017-8.
About the Series
This Gallery Dialogues is a part of the Heart of the Machine program series responding to Refiguring Binaries curated by Kelani Nichole.
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