Works & Process at the Guggenheim Presents Boston Ballet: Mikko Nissinen, Lia Cirio, Shantell Martin, and Melissa Toogood
Works & Process at the Guggenheim
Works & Process, the performing arts series at the Guggenheim, is proud to present Boston Ballet: Mikko Nissinen, Lia Cirio, Shantell Martin, and Melissa Toogood on February 13, 2022 at 3 pm and 7:30 pm. Taking place in the Frank Lloyd Wright-designed Peter B. Lewis Theater at the Solomon R. Guggenheim Museum, all programs invite audiences to embrace artistic process and uniquely blend performance highlights with insightful artists discussions.
Throughout the pandemic, Works & Process continued to provide opportunities for artists and pioneered the bubble residency to support their work safely. The spring 2022 season will feature the official world premieres of works created by New York artists – many representing historically marginalized performing art cultures – and incubated during the peak of the pandemic inside 2020-21 Works & Process bubble residencies. Alongside the commissions, Works & Process will present performance excerpts of and artists discussions about new works prior to their premieres at leading organizations including BAAD!, BAM, Boston Ballet, Federal Hall, Glimmerglass Festival, The Metropolitan Opera, and New York City Ballet.
Boston Ballet's ChoreograpHER program celebrates innovative women across creative fields. Prior to the March premiere in Boston, company dancers perform excerpts from the program's new commissions by Lia Cirio, Shantell Martin, Tiler Peck, Claudia Schreier, and Melissa Toogood. Dance writer Marina Harss moderates the discussion with Cirio, Martin, and Toogood illuminating their creative process, and Artistic Director Mikko Nissinen shares insights on Boston Ballet's ChoreograpHER initiative.
WORKS & PROCESS TICKETS
$35, $15 partial view. Pay-what-you-wish tickets are available for purchase online only at worksandprocess.org.
House seats may be available for $1,000+ Friends of Works & Process. To purchase house seats, email firstname.lastname@example.org. House seats may be released to the public before performances.
Health and Safety Information
Every audience member must be fully vaccinated and will be required to show proof in person of vaccination authorized by the FDA or WHO against COVID-19 before entering the theater. Proof of vaccination may include a CDC Vaccination Card (or photo), NYC COVID Safe app, New York State Excelsior Pass, NYC Vaccination Record, or an official immunization record from outside New York City or the United States. Full vaccination is defined as being two weeks or more after receipt of the second dose in a two-dose series, or two weeks or more after receipt of one dose of a single-dose vaccine.
Visitors over the age of 18 will also be asked to show a photo ID.
At this time, children under the age of 5, for whom there is currently no available vaccination, will not be permitted to attend this performance regardless of the vaccination status of their guardian.
Bring your three-ply face mask, N-95, or equivalent to keep yourself and one another safe. All individuals will be required to wear a face mask at all times.
There is no coat check; please do not bring bags.
Do not attend if in the ten days leading up to the performance, you have tested positive or experienced COVID-19 symptoms or come into close or proximate contact with a confirmed or suspected COVID-19 case. If you are unable to attend due to COVID-19 exposure, please contact email@example.com in advance of the performance.
An inherent risk of exposure to COVID-19 exists in any public environment where people are present. Those visiting the museum do so at their own risk of exposure.
Lead funding for Works & Process season is provided by Stephen Kroll Reidy with additional support from The Andrew W. Mellon Foundation, Doris Duke Charitable Foundation, Ford Foundation, Christian Humann Foundation, Leon Levy Foundation, Mertz Gilmore Foundation, NYC COVID-19 Response and Impact Fund, Rockefeller Brothers Fund, Evelyn Sharp Foundation, The Geraldine Stutz Trust with public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Works & Process has received support from the U.S. Small Business Administration Shuttered Venue Operators Grant and Paycheck Protection Program and NYC Employee Retention Grant Program.
Since 1963, Boston Ballet's internationally acclaimed performances of classical, neo-classical, and contemporary ballets, combined with a dedication to world-class dance education and community initiatives, have made the institution a leader in its field, with a 58-year history of promoting excellence and access to dance. Under the leadership of Artistic Director Mikko Nissinen and Executive Director Meredith (Max) Hodges, the Company maintains a diverse repertoire, ranging from full-length ballets to new works by some of today's finest choreographers. Boston Ballet's second company, Boston Ballet II, is comprised of dancers who gain experience by performing with the Company and independently, presenting special programs to audiences throughout the Northeast. Boston Ballet School, the official school of Boston Ballet, has a long-standing dedication to providing exceptional dance education and ballet training to students across two studios in Boston and Newton. The School reaches more than 5,000 students (toddler to adult) each year through its five core programs: Pre-Professional Program, Classical Ballet Program, Children's Program, Adaptive Dance Program, and Adult Dance Program. Boston Ballet's Education and Community Initiatives provide programming, events, and activities that connect the community to dance. Community programs reach more than 4,000 individuals in Boston and the surrounding communities each year through Citydance, ECI on Location, workshops, and trainings. For more information, please visit bostonballet.org.
Works & Process at the Guggenheim
Described by The New York Times as "forward thinking" and "an exceptional opportunity to understand something of the creative process," since 1984 Works & Process has welcomed New Yorkers to see, hear, and meet the most acclaimed performers and creators of the performing arts. Led by Producer Caroline Cronson and Executive Director Duke Dang, Works & Process nurtures and champions new works, shapes representation, amplifies underrepresented voices and performing arts cultures, and offers audiences unprecedented access to generations of leading creators and performers. Artist-driven programs blending performance highlights with insightful discussions are, when permitted, followed by receptions in the rotunda, producing an opportunity for collective learning and community building while also helping to cultivate a more inclusive, fair, and representative world. Approximately fifty performances take place annually in the Guggenheim's Frank Lloyd Wright–designed, 273-seat Peter B. Lewis Theater. Annually Works & Process produces a program at the Guggenheim Museum Bilbao in Spain as well. In 2017 Works & Process established a residency program inviting artists to create newly commissioned performances made in and for the iconic Guggenheim rotunda. In 2020 Works & Process Artists (WPA) Virtual Commissions was created financially support 84 new works and over 280 artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic from summer 2020 through spring 2021, Works & Process pioneered and produced 250 bubble residencies supporting 247 artists, made possible through the generous support of The Andrew W. Mellon Foundation and the Doris Duke Charitable Foundation. On March 20, 2021, after over a year of shuttered indoor performances and with special guidance from New York State's Department of Health, Works & Process was the first cultural organization to reopen live, indoor ticketed performances in the rotunda of the Solomon R. Guggenheim Museum. worksandprocess.org.
Share Your Audience Review. Your Words Are Valuable to Dance.
Are you going to see this show, or have you seen it? Share "your" review here on The Dance Enthusiast. Your words are valuable. They help artists, educate audiences, and support the dance field in general. There is no need to be a professional critic. Just click through to our Audience Review Section and you will have the option to write free-form, or answer our helpful Enthusiast Review Questionnaire, or if you feel creative, even write a haiku review. So join the conversation.