IMPRESSIONS: "In Violent Circles (The Rite of Spring)"
IMPRESSIONS: In Violent Circles (The Rite of Spring)
Riedel Dance Theatre -March 7, 2013 at the Ailey Citigroup Theater
Choreography Jonathan Riedel
Dancers Joshua Arnold, James Brenneman III, Louis Chavez, Hana Ginsburg, Julia Kelly, Madisyn Maniff, Cleo Sykes
Composer Igor Stravinsky rearranged by Neil Alexander
Costumes Roxane D' Orleans Juste
March 23, 2013
Christine Jowers for The Dance Enthusiast
All was safe on Thursday, March 7th when Riedel Dance Theatre presented In Violent Circles (The Rite of Spring) to a packed crowd at The Ailey Citigroup Theater. Even though the subject was a ghastly tale of rape and murder (based on a 13th century folk ballade Töres dottrar i Wänge), the performance's most controversial aspect (and perhaps only for music critics) may have been that The Rite of Spring, played live, was not Stravinsky’s orchestral version, but rather a rearrangement for solo piano by jazz pianist, Neil Alexander. A brave undertaking. Alexander played remarkably with power. One could scarcely believe that the man had only two hands.
|James Brenneman III and Hana Ginsburg in In Violent Circles, (The Rite of Spring) Choreography by Jonathan Riedel ; Photo © Jonathan Beck
Today, telling a tale simply (with moving bodies, dressed in black, on a bare stage, using a few small props) may seem shocking because contemporary choreographers don't typically take on narrative work. It harkens back to classic modern dance -not very experimental- and, at its worst can seem cornball or cheesy. (Ugh.) Unadorned narrative is challenging, though. With nothing to hide behind, the choreography, direction and dancing is ALL you see; if there is no craft or skill, it is evident immediately. Thankfully, Jonathan Riedel is an adroit author of movement stories. He composes his stage and his dancers’ actions with utmost economy and intelligence using distinct geometry, simple movement vocabulary, musicality and constant motion to keep our imagination awake and absorbed in the happenings on stage. In this new piece, his fine dancers offer the shading to their choreographers’ black and white palette, capturing us with their qualitative choices and ear for music.
In Violent Circles (The Rite of Spring) centers on the interactions of two groups - a loving, bustling family: The Mother, Julia Kelly; The Father, James Brenneman III; The daughters, Madisyn Maniff and Cleo Syeks and The Outsiders: Joshua Arnold, Louis Chavez and Hana Ginsburg - a disreputable band whose every step reveals them to be unctuous, malevolent leeches.
|Madisyn Maniff , Cleo Syeks, and Joshua Arnold In Violent Circles, (The Rite of Spring) Choreography by Jonathan Riedel ; Photo © Jonathan Beck
We are taken from the morning meal - where the mother stirs up food in a big white bowl and the father blesses his children with three loving thumps to their upper bodies - through to the silly arguments of two highly energetic “teenage?” girls as they prepare to go out into the world for the day. There is an upright goodly spirit to the action. When the family moves together, they wind in a circle, gently turning as if part of folk dance. If they are not dancing as a group, they spin off in whirlwinds creating their own little loops of energy which we feel certain will eventually come together in reassuring harmony.
Darkness creeps in with the three outsiders. While the trio may leap and partner using similar movement to that of the family, their manic approach suggests nothing good can from their actions. And nothing good does. Upon meeting the gang, the girls are eventually murdered. Still, the stylized killing, with its unapologetic aggressors - who saunter off glibly after their deed is done- is not quite as upsetting as The Mother's (Kelly's) solo as she waits for her daughters to return home.
Perhaps the well-choreographed despair of a mother losing her children won't cause riots in the streets, but it still can make hearts stop.
For more information on Jonathan Riedel and Riedel Dance Theatre, Click here.