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TDE Asks MoBBallet Founder Theresa Ruth Howard on the History of Black Ballet Dancers

TDE Asks MoBBallet Founder Theresa Ruth Howard on the History of Black Ballet Dancers
Stacey Menchel Kussell

By Stacey Menchel Kussell
View Profile | More From This Author

Published on February 28, 2017
Theresa Ruth Howard. Photo courtesy of the artist.

World renowned dancer, dance educator, and writer Theresa Ruth Howard is passionate about discussing diversity in dance. In 2015 she launched MoBBallet, Memoirs of Blacks in Ballet, a digital archive and virtual space focused on bringing visibility to the history of Black ballet dancers around the world. MoBBallet currently features historical content, an e-magazine, and will soon be launching the Philadelphia Project, a series of documentaries commemorating four Philadelphia trained black ballet dancers including – Joan Myers Brown (Philadanco), Delores Brown (The New York Negro Ballet Company), and Judith Jamison (Alvin Ailey American Dance Theater). The Dance Enthusiast had an opportunity to speak with Howard about this new exciting initiative.


A photo of a young Joan Myers Brown. She wears a black leotard, light tights and pointe shoes. She pose en pointe with her arms bent in front of her torso. She looks towards the camera.
Joan Myers Brown; Photo: Gaston / Image courtesy of MOBBallet

Stacey Menchel-Kussell for TDE: What was your inspiration for MoBBallet and what does the archive feature?

Theresa Ruth Howard: Historical information about the history of Black dance is insufficient on both the public and academic level, and MoBBallet is attempting to change that. My motivation was to create an archive to document the history of Black ballet, and also a forum that lives in the present time, featuring content and dialogue about the issues related to diversity in the dance world now. In addition to historical content, we also feature the Roll Call initiative which is an online listing of current Black ballet dancers. The aim is for emerging Black dancers to add their name, strengthening our cause and community.

Two old stills of Judith Jamison as a young ballet student. She wears a white tutu, Swan Lake-looking headpiece, and pointe shoes.
Judith Jamison / Image courtesy of MOBBallet

TDE: What are your goals for MoBBallet and how are you achieving them?

TRH: In the times that we live in, using boycotting as a means for social change can be hard, because we are so accustomed to comfort and convenience. However, I think that it can be just as impactful to vigilantly support important causes – especially art. 

We received a generous grant from the Knight Foundation to document the legacies of Joan Myers Brown, Delores Brown, and Judith Jamison, and this is just a starting point for the kind of content that MoBBallet will be producing in the years to come.

An early image of Delores Brown. She wears a crown in her curly brown hair and dons a white short tutu and pointe shoes. She stand en pointe with her arms crossed over her chest.
Delores Brown / Image courtesy of MOBBallet

TDE: Do current events that relate to matters of diversity make MoBBallet particularly relevant right now?

TRH: I think the topic of diversity is always relevant, it is not a fad, but certainly current events and any issues related to racism heighten the importance of creating a space to better understand Black history. You are starting to see more Black dancers in ballet companies, but we are still at the beginning of learning about the complexity of their experiences in those companies. What are their stories? What is it like to be the only one, two, or three dancers of color in the company and how do they cope? These are definitely the kind of stories that I want to expand upon with the content that we create at MoBBallet.


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