Ballet Hispanico, Photo: Paula Lobo
Ballet Hispanico, Photo: Paula Lobo
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Netta Yerushalmy Prepares for "Devouring, Devouring" at La MaMa's Ellen Stewart Theatre

Netta Yerushalmy Prepares for "Devouring, Devouring" at La MaMa's Ellen Stewart Theatre
Christine Jowers/Follow @cmmjowers on Instagram

By Christine Jowers/Follow @cmmjowers on Instagram
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Published on December 10, 2012
Photo by Ayala Gazit

A Day Spent Devouring/ Behind the Scenes with Netta Yerushalmy and her Dancers

December 11, 2012


Choreographer Netta Yerushalmy is ready for something “grand,” so she has decided to share an evening length work, her first, provocatively entitled Devouring Devouring. The piece will premiere at La Ma Ma’s Ellen Stewart Theatre on December 13th and will run until the 16th of the month.
“I wanted this to be big,” says the choreographer, perched on her chair, as her dancers roll on the floor around her, slowly warming up for their morning rehearsal.
 

A Dance Enthusiast Minute on Meaning...

 
“I have done a lot of works that are half an hour and I wanted to push myself to create a piece where I looked and kept looking. There are things in it that feel like they have to do with a grandness.”
 
Even the process of creating Devouring Devouring was ambitious and, yes, grand. Yerushalmy, whose family is from Israel, and who has now lived in New York for 14 years, developed her choreography between Tel Aviv and New York - cities more than 5,000 miles apart. 
 
At times she traveled to Israel conducting creative residencies. Other times she shared movement (no words) via YouTube with her dancer, Ofir Yudilevitch, waiting for his dance feedback. “I wanted to see what comes up when things are interpreted visually through someone’s frame of reference, and not through spewing out information and saying what things are.”  
 

A Dance Enthusiast Minute of Meeting The Artists in Devouring Devouring



I was privileged to spend a day in rehearsal with Yerushalmy and her dancers Yudilevitch, Joanna Kotze, Stuart Singer, and Toni Melaas. Through my camera lens and sans costumes, props, and the full music score, I witnessed what may be the boney structure of this work. “Good bones,” I thought, as the dancers turned and flew from one point to another, pausing only to consider the space around them with the most delicate of gestures. 

 

Long Distance Dancing with Netta Yerushalmy and Ofier Yudilevitch - How It's Done.

 

For More About Netta Yerushalmy click here
For Tickets to the show at LaMaMa click here

Bonus Devouring... video:

The Side Effects of GaGa with Ofir Yudilevitch : Adjusting to Dancing in New York

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