IMPRESSIONS: Alejandro Cerrudo's "It Starts Now" at The Joyce Theater

IMPRESSIONS: Alejandro Cerrudo's "It Starts Now" at The Joyce Theater

IMPRESSIONS: HOLDTIGHT Company's "What Keeps You Going" at the cell theatre

IMPRESSIONS: HOLDTIGHT Company's "What Keeps You Going" at the cell theatre

THE DANCE ENTHUSIAST ASKS: Dwight Rhoden, Founding Artistic Director and Resident Choreographer of Complexions Contemporary Ballet, about "Black Is Beautiful," the First Film in SNATCHED BACK from the EDGES

THE DANCE ENTHUSIAST ASKS: Dwight Rhoden, Founding Artistic Director and Resident Choreographer of Complexions Contemporary Ballet, about "Black Is Beautiful," the First Film in SNATCHED BACK from the EDGES

Impressions of: The Bang Group’s "A Mouthful of Shoes" at Danspace Project

Impressions of: The Bang Group’s "A Mouthful of Shoes" at Danspace Project

MOVING PEOPLE: Camille A. Brown on the Advice She'd Give Young and Black Choreographers, Her Pre-performance Ritual with Her Casts, and Her Favorite Activity Outside of Dance

MOVING PEOPLE: Camille A. Brown on the Advice She'd Give Young and Black Choreographers, Her Pre-performance Ritual with Her Casts, and Her Favorite Activity Outside of Dance

IMPRESSIONS: Meredith Monk’s “Cellular Songs” at BAM Harvey

IMPRESSIONS: Meredith Monk’s “Cellular Songs” at BAM Harvey

IMPRESSIONS: Catherine Gaudet’s “The Fading of the Marvelous (L’affadissement du merveilleux)” at the 92nd Street Y

IMPRESSIONS: Catherine Gaudet’s “The Fading of the Marvelous (L’affadissement du merveilleux)” at the 92nd Street Y

IMPRESSIONS: Matthew Bourne/New Adventures’ "The Red Shoes" at New York City Center

IMPRESSIONS: Matthew Bourne/New Adventures’ "The Red Shoes" at New York City Center

IMPRESSIONS: Larissa Velez-Jackson’s “Zapatografia/Shoegraphy” at Abrons Arts Center

IMPRESSIONS: Larissa Velez-Jackson’s “Zapatografia/Shoegraphy” at Abrons Arts Center

Curator, Writer and Bessie Award Recipient Eva Yaa Asantewaa on Dance Writing, Arts Advocacy and "Lost and Found, the skeleton architecture, or the future of our worlds"

Curator, Writer and Bessie Award Recipient Eva Yaa Asantewaa on Dance Writing, Arts Advocacy and "Lost and Found, the skeleton architecture, or the future of our worlds"

The Metropolitan Museum of Art Artist-in-Residence Andrea Miller and Gallim in "(C)arbon" at the Met Breuer

The Metropolitan Museum of Art Artist-in-Residence Andrea Miller and Gallim in "(C)arbon" at the Met Breuer

IMPRESSIONS OF: Overground Physical Theatre Company

IMPRESSIONS OF: Overground Physical Theatre Company

THE DANCE ENTHUSIAST ASKS: Longtime Publicist Audrey Ross About the Changes in Arts P.R. and How to Make a Good Impression

THE DANCE ENTHUSIAST ASKS: Longtime Publicist Audrey Ross About the Changes in Arts P.R. and How to Make a Good Impression

IMPRESSIONS OF: Jack Ferver- "All of a Sudden"

IMPRESSIONS OF: Jack Ferver- "All of a Sudden"

IMPRESSIONS: Martha Graham Dance Company & Wild Up in the Premiere of "Immediate Tragedy" with "Deep Song" and Henry Cowell's "Intermediate Percussion"

IMPRESSIONS: Martha Graham Dance Company & Wild Up in the Premiere of "Immediate Tragedy" with "Deep Song" and Henry Cowell's "Intermediate Percussion"

MOVING PEOPLE: Chelsea Ainsworth on Producing Shows During a Pandemic, Finding Connection, and How "Singin' in the Rain" Always Puts a Smile on Her Face

MOVING PEOPLE: Chelsea Ainsworth on Producing Shows During a Pandemic, Finding Connection, and How "Singin' in the Rain" Always Puts a Smile on Her Face

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